iPhone Post Processing Challenges - In Post #422
In today’s video, I highlight a few of the challenges I had post-processing RAW photos captured with my iPhone 6 Plus. There’s one problem I hit that surprised me!
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You open a raw landscape photo and see plenty of things you could adjust. How do you decide what the photograph actually needs?
Using an unprocessed Sweet Creek image, I work through the decisions that come before the sliders: finding the subject, choosing a crop, and deciding how light and contrast can guide the viewer’s eye.
Folders and Collections can both look like ways to organize photographs in Lightroom Classic, but they solve different problems. Folders describe where the original photographs physically live. Collections let you bring photographs together without changing that physical organization.
That becomes especially useful when a gallery, project, subject, or other body of work includes photographs stored in many different folders. Collections give you another way to see those photographs together while leaving the originals exactly where they belong.
A cityscape can have plenty of bright lamps and still feel a little flat. Luminar Magic Light tool can bring more atmosphere to those artificial light sources, but applying the same glow everywhere may pull attention away from the parts of the photograph that matter most.
The useful decision is where to let the light shine and where to hold it back. A modest starting adjustment, followed by a few selective changes, can give the scene more life while keeping its lighting believable.
A Lightroom folder structure doesn't need to account for every date, location, subject, or shoot with another level of folders. Organizing photographs into dated folders is especially common, but unless dates are how you naturally look for your photographs, that extra structure may not be helping you. Too much structure can make a photo library harder to understand rather than easier.
I keep all of my photographs beneath one top-level folder, then use a relatively shallow hierarchy underneath it. Different types of photography can follow different organizational logic. The important thing is that the structure matches how you naturally think about and look for your photographs.
A Lightroom folder structure doesn't need to account for every date, location, subject, or shoot with another level of folders. Organizing photographs into dated folders is especially common, but unless dates are how you naturally look for your photographs, that extra structure may not be helping you. Too much structure can make a photo library harder to understand rather than easier.
I keep all of my photographs beneath one top-level folder, then use a relatively shallow hierarchy underneath it. Different types of photography can follow different organizational logic. The important thing is that the structure matches how you naturally think about and look for your photographs.
Acadia National Park rewards photographers who slow down. During my October visits, I found everything from predawn coastal color and moving surf to reflective ponds, wooded carriage roads, and late-day mountain light.
This guide organizes those experiences into a practical rhythm for an autumn photography day. It explains where I found the strongest visual possibilities, how the light shaped each area, and what to consider before committing to a sunrise, midday walk, or sunset destination.
Tack Sharp can correct camera shake remarkably well, but applying it across an entire photograph can sharpen areas you intentionally want to keep soft. Water, reflections, and moving subjects can quickly lose their natural character.
By combining Tack Sharp with layers and masks in ON1 Photo RAW, you can correct softness selectively. This approach preserves intentional motion while sharpening the stationary parts of the scene that need help.
For me, one catalog works best because I want a single place for all of my photography, both personal and professional. I can still organize those parts of my library differently without separating them into completely different catalogs.
Organizing a Lightroom catalog can quickly become an exercise in folders, keywords, ratings, and metadata. Before deciding how to use those tools, step back and ask a more important question: What do you eventually want to do with your photographs?
A useful workflow begins with those goals. Once you understand how you want to find, revisit, and share your photographs, you can build a Lightroom system that supports the way you actually think and work.
Scott Davenport
Scott Davenport is a landscape photographer and photo educator and based in San Diego, California. He leads photo workshops, writes photo books, hosts podcasts, makes tutorial videos, and feels weird referring to himself in the 3rd person.
He also can't help getting his feet wet photographing at the beach.
Big Sur and the Monterey Peninsula are often treated as one photography destination, but the coast changes character from Pacific Grove to McWay Falls. Some areas reward an early start, others need a patient evening, and several are at their best when you slow down and work with the light you have.
This guide covers ten broader areas from the Monterey Peninsula south through Big Sur, with practical ideas for timing, composition, access, and safety. It is based on spring and early-summer visits across several years, so the emphasis is on how I approached these places rather than a promise of perfect conditions.