Banish the Blues: Removing Color Casts From Your Landscapes
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Is your landscape photo looking too blue and cold? In this video, I’ll show you how to remove that unwanted blue color cast in ON1 Effects using just the Curves and Edit Color filters. You’ll learn how to precisely control your blue tones in the Curves filter and then dial in natural, clean color with Edit Color, bringing warmth back to your scene without losing the mood you captured in the field.
This isn’t about cranking sliders and hoping for the best; it’s about understanding why that blue cast appears and using precise adjustments to correct it without harming the mood of your photo. By the end of this tutorial, you’ll know how to identify, control, and remove color casts in your landscapes while preserving the story your photo is meant to tell.
Not using ON1? Nearly every photo editor has curves and most have an adjustment for precise color control (ex: Color Mixer in Lightroom). Substitute those tools in and you’re good to go!
An Ushuaia View
Contact Scott to commission a print or license this image.
Tell compelling stories. Become a better photographer.
Story And Vision will help you be a stronger visual storyteller and a better photographer. This 12 chapter video course guides you on how to examine your unprocessed photos more critically and understand the story the subjects tell. Then, pivot your post-processing approach to accentuate, emphasize, and reinforce that story.
11th Edition - Revised for ON1 Photo RAW 2024
Organize, edit, and share your photos with ON1 Photo RAW. This well-illustrated, no-nonsense book explains everything you need to learn ON1 Photo RAW. It is the most comprehensive book on Photo RAW out there.
ON1 Photo RAW Essentials: The Photographer’s Guide To Learning ON1 Photo RAW 2024
ON1 Effects and its 30+ filters make it easy to add style and create the mood you want for your images. The 10 learn-by-example tutorials show you how to get more pop with contrast, audition and blend LUTs, correct color casts, and more.
Adding Style With ON1 Effects will help you craft your signature style and tell your story.
Snow in shadow often picks up a strong blue color cast. Some blue belongs there—the area is in shadow, after all—but too much can overwhelm the photograph.
In this video, I’ll show you how I use a targeted Lightroom mask to reduce that blue cast while preserving the depth and shadow in the mountains. The same approach can help with many other color-cast problems in landscape photography.
Sometimes you commit to a landscape composition, but the moving elements never come together perfectly in a single frame. The best wave might be in one photo, while another has better texture or movement elsewhere in the scene.
In this video, I’ll show you how I selected three seascape photos and blended their strongest elements using simple layers and masks in Photoshop. The masking is straightforward, and the same idea works in any editing software that supports layers.
Have you ever subtracted an object from a Lightroom mask, only to find a thin ridge left behind around the selection? Cleaning that up usually means reaching for the Brush tool and carefully painting along the edge.
Lightroom Classic’s new Feather and Edge controls give you a faster way to soften, expand, or contract many AI-generated masks. In this video, I’ll explain how the controls work, which masking tools support them, and where Edge is already saving me cleanup time.
What happens when Lightroom’s AI landscape masking doesn’t recognize the subject you want to edit? Sometimes, the missing selection is exactly what you need.
In this video, I combine Lightroom’s vegetation and mountain masks with inversion, subtraction, and a radial gradient to isolate the architecture at Machu Picchu. The result adds depth to the scene and guides attention without requiring painstaking brushwork.
A vignette can help guide the viewer toward your subject, but lowering exposure around the edges of a black and white photo can quickly bury important shadow detail.
In this quick tutorial, I’ll show you a more controlled approach using a radial gradient and the Whites or Highlights slider. You’ll still get that visual nudge toward the subject without making already-dark areas disappear.
What do you do when the weather is dull, the surf is uninteresting, and a dead battery takes away one of the tools you normally rely on?
You can spend the outing wishing conditions were different—or let those constraints narrow your choices and point you toward another photograph. In this video, I share how I adapted during a recent seascape outing and why limitations can sometimes give your photography clearer direction.
Lightroom may correctly find every person in a photograph and still make a mess when it tries to remove them. That’s what happened with this image from Machu Picchu—the AI rebuilt so much of the scene that walkways and structures no longer made sense.
The better approach was to keep the removals that worked, then break the difficult areas into smaller, more targeted pieces. The AI still does the heavy lifting, but you give it a more manageable problem to solve.
What if your mask selects the right subject, but you don’t want the adjustment applied evenly across all of it?
In this tutorial, I combine an AI mask with a gradient using Intersect mode in ON1 Photo RAW. The result keeps the adjustment confined to the mountains while letting its strength fade naturally across the scene.
The ON1 Masking Panel generates more questions than almost any other feature in Photo RAW. Here's the funny thing: most photographers don't actually need to use it.
Most edits are finished long before they're truly complete. In this video, I'll show you a simple masking technique I use to bring out important details in black and white photos—the final 5% that helps guide the viewer's eye and strengthen the image.
Scott Davenport
Scott Davenport is a landscape photographer and photo educator and based in San Diego, California. He leads photo workshops, writes photo books, hosts podcasts, makes tutorial videos, and feels weird referring to himself in the 3rd person.
He also can't help getting his feet wet photographing at the beach.
Shape The Light – Tell Your Story
Light shapes your story, and Lightroom gives you the tools to mold it. In Mastering Light & Shadow, we’ll dive into how to read the light in your photos, control it with intention, and shape it to match the story you want to tell. You’ll walk away with practical techniques, clear workflows, and the confidence to interpret your photos and bring your creative vision to life.