Overcast skies aren’t always featureless swaths of gray. There are often nuanced midtones that we can accentuate in post-processing.
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The end of a year is a natural point to review your year of photography and look forward to what lies ahead in 2022.
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Landscape photographers are used to dealing with the fickle nature of weather. I’m glad I didn’t leave Strawberry Hill. It had good photos to provide, in spite of the gray skies.
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Finally! ON1 has added a Visualize Dust option to their retouching tools. It is now easier than ever to find and fix dust spots in Photo RAW.
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ON1 just delivered a big boost to searching in Photo RAW.
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Snapshots provide convenient checkpoints during your editing sessions. And you can do more with them.
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Watching The Beatles and how their creative process unfolds can teach all artists a thing or two.
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Have you ever seen a great photo that screams for a longer exposure … but you can’t set up your filter system? Bust out that iPhone for a handheld long exposure.
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Landscape photography and mid-day don’t typically mix. The light is harsh. But when you’re at a location and won’t be returning anytime soon … you take the photos anyway.
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I see these odd connections between super-assassin movies and photography. Stay with me … I’ll explain.
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I took advantage of a break in the rain during my stay in Oregon to return to Yaquina Head and photograph the lighthouse from new (to me) angles.
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Get the perfect mask in Lightroom. Use the mask overlay options to clearly visualize the affected areas of your localized adjustments.
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