Videos And Articles
The Luminosity Blending Mode In ON1
If an ON1 Effects filter shifts color in an unwanted way, try using the Luminosity blending mode. Luminosity deals only with brightness values, protecting your photo’s hue and saturation.
The Vivid Light Blending Mode In ON1
The contrast increase from Vivid Light is a strong one and can overpower a scene. Temper its Opacity - and try it out for color grading (my preferred use for this blending mode).
The Soft Light Blending Mode In ON1
The Soft Light blending mode has a more subdued touch than the Overlay mode. I like this mode for subtler texture blends.
The Overlay Blending Mode In ON1
The Overlay blending mode is one you should know. An excellent way to pop contrast and blend exposures, it is one of the most popular blending modes.
The Color Dodge Blending Mode In ON1
Color Dodge is a useful blending mode for creative and unique color grading. Its results can be harder to predict, so do be prepared for some experimentation.
The Lighten Blending Mode In ON1
Take your cityscape photos to a new level with a little field prep and the Lighten blending mode.
The Normal Blending Mode In ON1
The default blending mode of Normal makes no special changes to the pixels in a layer. It is perfect for exposure blending and double-exposure looks.
What Are Blending Modes In ON1?
The blending modes in ON1 change the way filters and layers interact with one another. They can be mysterious. Join me for a series of videos and articles that show practical uses for blending modes.
Fast, Precise Dodge & Burn In Lightroom
Give me 2 minutes and I’ll show you how to quickly and easily get more precise dodging and burning in Lightroom.
Fix Blown Highlights Using Curves
Give me 2 minutes and I’ll show you a simple Curves adjustment to fix pesky, stubborn, speckled blown highlights in your images.
5 Recipes Using Curves
Curves is a powerful and sometimes misunderstood editing tool. I have 5 ‘recipes’ to get you familiar with using curves.
Refining My Look For Ocean Abstracts - In Post #536
I have been exploring ocean abstracts of late. I’m still homing in on the right balance of soft dreaminess yet maintaining good separation of tones to emphasize the different streaks and ribbons in the water.