Videos And Articles
How To Make A Classic Luminosity Mask In Lightroom
Quickly make a classic luminosity mask that affects the highlights and upper midtones the most and the shadows the least. This post was inspired by a viewer question. Got a photo question? Ask me.
Crafting A Black & White Seascape - In Post #518
Crafting a strong black & white seascape starts with choosing the right camera profile.
Photographing Shore Acres, Oregon - In The Field #517
For my style of seascapes, I tend to want to be a sea level, interacting up close with the ocean. Shore Acres is not that type of location, and it challenged me.
Adding Character To An Overcast Sky - In Post #516
Overcast skies aren’t always featureless swaths of gray. There are often nuanced midtones that we can accentuate in post-processing.
Strawberry Hill Oregon - In The Field #515
Landscape photographers are used to dealing with the fickle nature of weather. I’m glad I didn’t leave Strawberry Hill. It had good photos to provide, in spite of the gray skies.
Visualize Dust Spots In ON1 Photo RAW
Finally! ON1 has added a Visualize Dust option to their retouching tools. It is now easier than ever to find and fix dust spots in Photo RAW.
Advanced Search In ON1 Photo RAW
ON1 just delivered a big boost to searching in Photo RAW.
How To Use Snapshots In ON1 Photo RAW
Snapshots provide convenient checkpoints during your editing sessions. And you can do more with them.
Capturing Long Exposure Photos With Your iPhone
Have you ever seen a great photo that screams for a longer exposure … but you can’t set up your filter system? Bust out that iPhone for a handheld long exposure.
Embracing High Contrast - In Post #514
Landscape photography and mid-day don’t typically mix. The light is harsh. But when you’re at a location and won’t be returning anytime soon … you take the photos anyway.
John Wick, Super-Assassins, And Photography f/91
I see these odd connections between super-assassin movies and photography. Stay with me … I’ll explain.
Yaquina Head And Cobble Beach - In The Field #513
I took advantage of a break in the rain during my stay in Oregon to return to Yaquina Head and photograph the lighthouse from new (to me) angles.