There is no doubt that artificial intelligence (AI) is on the rise in photography - and everywhere else, too! I believe AI is overall a good thing for photography.
The more discerning photographers will continue to have their work rise above the noise. The fundamentals of photography - framing, composition, understanding light - all remain the same and become increasingly important. AI will process a photo very nicely. However, if the foundation is weak, the resulting photo will be weak.
I also did a short, unscientific bake-off of the auto and AI features of Lightroom, ON1 Photo RAW, Luminar, and Photolemur. For the moment, my belief is us humans still have the edge. Nevertheless, some of the results from AI are quite impressive and plenty enough for many photos we take.
AI is here to stay. And there’s a place for it in my photography. Watch the video for more thoughts on AI.
Test your own filters for a color cast. All you need is a reference point and consistent lighting.
I get asked about my tripod spikes all the time. Finally another company is making a set like the ones I have.
Calibrating your monitor and printer can be a bit of a hassle. And you need equipment for it. Is it really necessary?
Not all printer drivers are created equal. You could be missing out on important controls and settings for your photo prints.
I use the X-Rite i1 Studio to color calibrate my monitor and printer. The dial on the device may be a little difficult to rotate. I’ll show you the simple trick I use to make it easy.
A seascape outing usually results in a lot of photos of a few compositions. Culling is critical to keep the working set of photos manageable.
Image theft happens… and it sucks. I use Pixsy to help me find potential infringements on my work. I’ll show you the basics of what I look for when I review matches found by the service.
Finding several unique images within your existing photo is a great way to grow your eye for composition. You might have new, compelling photos hiding in plain sight.