Learn how to create a vintage 1970s look in just a few minutes using ON1 Effects.
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Stuck with harsh, unflattering mid day light? There are some steps you can take in post-processing to draw out color and depth.
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Even when the preview on your camera or the unprocessed RAW looks terrible, don’t dismiss the image!
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Watch over my shoulder as I work on a new image. In my Live Edit videos, I share my entire start-to-finish workflow using a photo that I’ve never worked on before.
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I have a little recipe I’ve used for years with Curves to add a twilight color to my sunset and sunrise photos. It’s simple to do and targeting just the sky in a photo has never been easier.
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Many of the photos I captured in Bryce Canyon needed color tweaks and corrections. I put Lightroom’s new Color Mixer through its paces to fix color issues.
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Sometimes the ocean doesn’t cooperate with photographers. In one shot, the waves on the left look great. In another, it’s the right side that looks great. The solution? Composite! I’ll share my approach.
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In my Live Edit videos, I process an image I’ve never worked on from start to finish, sharing my thought process and reasons behind choices along the way.
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Cropping is a fundamental tool for photographers and will strengthen a photo. When you’re cropping, know your subject. Your crop should support and emphasize it.
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A common theme with my photos from Utah is color correcting and brightening snow in shadowy areas. The masking tools in Lightroom make complex masking selections much easier.
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In my Live Edit videos, I process an image I’ve never worked on from start to finish, sharing my thought process and reasons behind choices along the way.
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I have been exploring ocean abstracts of late. I’m still homing in on the right balance of soft dreaminess yet maintaining good separation of tones to emphasize the different streaks and ribbons in the water.
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