That day in February when it rained all day… except for a few minutes right around sunset.
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Seascape photography often yields a healthy set of very similar images. How do I whittle them down to a manageable set to work with? Watch this video.
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A technique to emphasize a subject is to have its color stand out from the rest of your scene. Sometimes we saturate our subject, other times we desaturate the rest of the scene.
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Versions in ON1 Photo RAW enable you to quickly try out various editing styles on the same photo, without having to make copies of your original image. I’ll show you how it works.
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Lightroom’s search capabilities are great. It is fueled by metadata. Metadata is in your photos and the Lightroom catalog. What happens if the two get out of sync?
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What are the differences between Virtual Copies and Snapshots in Lightroom? I’ll explain in this video.
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My very first Luminar Looks Pack! 20 original looks for your travel & landscape photos.
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ON1 Photo RAW continues to be an important part of my editing workflow. In this short video, I show how useful and powerful luminosity masks are to make nuanced - yet vital - changes to a scene.
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A brief gap in the rain let me capture a few great frames at Asilomar State Beach.
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It’s easy to fix color casts in Luminar. You can also get creative with them, too.
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Do you enjoy photographing forests and trees? Strengthen your photos by spending a few minutes with the clone & stamp tool.
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A composition question that arose several times during my last photo workshop was “Where do I cut off elements at the edge of the frame?” So let’s talk about this…
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