The rolling hills of Zabriskie Point offer a unique combination of colors, shapes, and textures.
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In my Live Edit videos, I process an image I’ve never worked on from start to finish, sharing my thought process and reasons behind choices along the way.
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In prep for my Death Valley workshop later this month, I made another scouting trip to the park. Join me for a sunrise visit to Dantes View on this edition of In The Field.
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The hazy hills surrounding Badwater Basin in Death Valley.
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Fondly remembering Death Valley and thinking about future workshops.
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Artist's Palette is almost a rite of passage when visiting Death Valley.
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The Dehaze slider is great. But you don't always have to reach for it.
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Clouds to the east made an interesting mix of light and shadow at Zabriskie Point.
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Global contrast is great and just about every landscape photo benefits from it. Selective contrast is the special sauce to emphasize your subject.
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Death Valley was a great time last week. After every workshop I host, I like to reflect on the themes that emerged.
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All too often we read about photographers that have trespassed, broken rules, or disrespected locations. Do these reports seem to be on the rise? Or am I just more attuned to it? Either way, when I'm out with my camera, I am representing myself and my fellow landscape photographers. So I behave.
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A shot from my scouting trip to Cottonball Basin in Death Valley last year. I'm back to this natural wonderland in a few days for a workshop. I am soooo looking forward to it.
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