Aperture Brushes...Sometimes You Don't Need Layers

A ceiling in a restaurant in Las Vegas. It's been in my backlog of photos for a couple of years now. I can't remember the restaurant, but I remember liking the lights and the crown molding on the ceiling. Not the greatest composition in the world, but not terrible considering I was squeezed in a booth with my kids waiting for our order to arrive when I took the photo. :)

My goal for this photo was for the lights to pop and grab the viewer's attention. As I was post-processing, I started thinking about layers. I could make some more "drastic" adjustments to accentuate the lights, then mask those in with the base version. Then it dawned on me. I don't need layers for this effect . I can accomplish this all within Aperture using brushes.

 

The video below has the details on the technique, but in summary:

  • Add a Color adjustment with focused changes in the orange and yellow range
  • Brush in the Color adjustment on the lights only
  • Add a Sepia Tone adjustment to the entire photo
  • Brush away the Sepia Tone from the lights

Now...one thing that would be a really useful addition to Aperture is be able to copy/paste/invert overlays (masks) among adjustments. That'd be a big time saver. Maybe in Aperture 4? Here's to hoping...

Scott Davenport

Scott Davenport is a landscape photographer and photo educator and based in San Diego, California. He leads photo workshops, writes photo books, hosts podcasts, makes tutorial videos, and feels weird referring to himself in the 3rd person.

He also can't help getting his feet wet photographing at the beach.

https://scottdavenportphoto.com
Previous
Previous

Unclutter Your Aperture UI

Next
Next

Aperture Metadata Presets