Small spots of highlight and shadow clipping are not a problem for social media or website sharing. However, when it’s time to print your work, blown highlights are a problem. Why? The printer will not put down any ink in an area with no highlight information and the tone of the paper itself will show through. Papers are not usually pure white and can disrupt the color and tonal flow of your image.

Don’t wrestle with your global controls in the Basic panel or the Tone Curve. Use a local brush tool to handle small specs of blown highlights. A brush with a lower flow and density lets you build up the amount of correction needed - and only to the spots that need it.